(Some Spoilers) Now this is about the fourth time I’ve read this first book in Montgomery’s series about a wonderful orphan named “Anne with an e, if you won’t call me Cordelia.” I remembered it was good, but I had forgotten just how good it was. The description, as with the Wilder books, takes you right to that place and time with real living people, a skill many others writers strive for without achieving. The only thing that marred it for me was that I remembered Matthew died, but I didn’t remember exactly how close to the end it was so the whole second half of the book I was expecting him to die any minute which was a horrible strain. To avoid that yourself, it’s two days after Anne comes home from Queens Normal School having graduated. That aside I would highly recommend this as the best of Montgomery’s writing. When I first heard of it, it was pitched as a cross between “Rebecca of Sunnybrook Farm” and the “Little House” books. I was intrigued and it really is a fairly good description of this book and the entire series. Anyone who likes either of those will like Anne. Second best by Montgomery, I love “The Blue Castle” and except for the big coincidence at the end, it’s a great read. I’ve read it almost as many times as Anne. I should also mention that “Rilla of Ingleside” the last book in the Anne series is also the best depiction of the World War I homefront I’ve ever read and one of the best homefront books of any war. If you read and stopped with Anne, you owe it to yourself to at the very least jump to the end and read Rilla.
There’s a whole Montgomery World now with the original movie from the 1930s (filmed at a historic house, but not in Canada) out on DVD which starred Anne Shirley (the actress legally changed her name and kept it, see her also in the tear jerker “Stella Dallas”), the Sullivan productions (the first movie was near perfect, the second two weren’t, and the Avonlea series (one live action and one cartoon). On top of that there is a regular newsletter (“Kindred Spirits”), a yearly conference, and many publications both scholarly and not about Montgomery and her work. Come and take a look inside Montgomery’s world.
Sarah Uthoff